this text published by fue el Memorial de América Latina and su Colección MEMO en el 2002.
el link de la publicación es http://www.memorial.sp.gov.br/memorial/ContentBuilder.do?open=submemoPu&ma=pu&pagina=memoPu
60. La word (Torkins Delgado) In poetic language, the author addresses the question of the Baroque in the formation of Latin American literature. Collection Memo. No 60. São Paulo, 2002.
it word
"... All comenzar per Sospecha (and perhaps exaggerated) that the sabian hablar los dioses ..."
Jorge Luis Borges
The word as the protagonist, as the source and content of the imagination in shaping American culture, its sensitive and permeable dermis, violent and gentle landscape, in its ontological ambivalence in the complex combination of ethnicity, cosmogonic, philological, and variable combinations of the infinite, his stubborn great, his vocation for the miracle. Thaumaturgy regardless of style and formality, concepts and theories which reduce to the periphery, Telluric dimension that exceeds the limits of the temporary and classifiable.
Word / Support: The Gnostic space Lezama, geography impossible to grasp beyond the writing of the logos, the imago, in which the impossible is tradition. Elliptical and autophagic outburst of environments and events in the history of a continent that begins in all cultures, times and places. Multiple and plural in the fullness of their uniqueness. In Latin America the word is developed independently of the fact, of the object. Word
when this becomes a defector from own means, to recognize possible phenomenon to new meanings, experiences that redefine its determining qualities, in an epic to the pursuit of "American Expression," a term that unfolds the mystery of textures and strange unpublished odors, to submit nature and climate, attesting the veracity of the improbable, from its material form: THE BOOK.
From the "Popol Vuh" to "Black Heralds" Vallejos, the antecedent "Parakeet Sarmiento" Lizardi into chaos synonymous of Arnaldo Antunes. Borguianos lost in the labyrinths in the reverberant delusions of Octavio Paz, in the fantastic architecture of Gullar, submerged in the rivers of Roger Herrera, in the romantic Alfonsina Stormi breathing, deep hermeneutic of Epiphanies of Haroldo de Campos, Oswald de Andrade insatiable, fueling the madness of Artaurd and Valle Inclán, eloquent simplicity Nazoa Achilles, Lígia trench Fagundes Telles, sung by Neruda, defended by Benedetti, dissected by Huidobro, fully circular in Cecília Meireles, mestizo Gregorio de Matos, mystical and erotic Sor Juana Inés de la Cruz, Virgilio Marti's in hell and Soussandrade, old and sleepless in Ramos Sucre. Stephen took care of it in the "Enlightenment" with Martin Fierro she conjured the Pampas and Llanos Luzardo, Oppiano Licario word did not come to pronounce, that resurrected the Makandal, who repeated to himself the identity of Simón Rodríguez, transforming in Samuel Robinson - the metaphor of himself - he loves milk all Buendia, gave birth to a HomeAway Bustos exercise of paternal origin. Accumulation of purposes and forms, calligraphy, letter, character, typography, in defiance of the memorial palimpsest of Latin American culture.
I mean the verb, adjective, as propounded in all levels of sensitivity, synthesis of academia and folklore. Yoruba, Guarani, Cervantes and camoniano a time independent of their ancestry is Mediterranean, African or American Indian - possibly more passive Milton understanding from the British West Indies Caribbean -. I mean the word that teaches us that learning is in its first recall, written in the book of ARENA, which tells us that Macondo is not a place, Macunaima that is not a name that is not a legend Amalivaca and does everything a condition. The term invented by the error of Columbus, infected by viruses brought in ships from the other side of the sea and shipped to Europe in the wondering eyes of the chroniclers of the Indies, fertile refuge of new diseases and resistant bacilli, enabling environment for the struggle between man and bacteria, reformulating the encyclopedic Humboldt with magical herbs and sacred songs. Of syphilis and tuberculosis Carlos Chagas and Jacinto Convit, HIV, Down syndrome, panic and anger Carlos j. Finlay, Bezerra de Menezes and José Gregorio Hernandez. Jacques indigenized Lizot sexuality or the Africanized gods of Pierre Verger, a breeding ground of magic and science, disease and superstition, self-intoxicating all readings of the world.
Word / perception coveted by the light of Reveron, revered by the spectra of Lam, divine revelation Bispo do Rosário, thirsty for justice in Siqueiros, watching from the windows of Amelia Pelaez, hidden between the parallels of Jesus Soto, Lígia the sensitive touch of Clark, in the modern musings Tarcila do Amaral, distilling his furious sadness in blades and Candido Portinari atemporalizando Guayasamin or myth in the altars of Torres Garcia, a catalyst for forms, images and movements, double presence in epidermal and evocative, after discarding the ephemeral urgency of the moment and preserve it for ever in need; capita prior to the anachronistic spaces labels 3 'world cities Guillermo Abdala, demiurges Roberto Matta, Manoa, the Golden, Cipango ...
Word / transit through 89 degrees of latitude, between failures and depressions, basins and plains, the topography of sharp contrasts and unexpected dimensions of the Andean highlands to the fragile physiography of the Amazon and the parentheses Hiléia desert savannah dotted with Tijuana to Cabo de Hornos. Territory happened by striking diversity in their metaphorical veins, semen streams life at menarche inoculating your soil surface. The forest of organic impotence in the quantitative and prescriptive, as vegetable, animal, mineral and of the fantastic, fabulous bestiary endorsing the European imagination: the Basilisk, the mounds, the Unipod, the Amazons .. ... The southern highlands, natural altar of the cosmos, in its gliptografía sealed in its long isolation, as shown by its mystery. The rugged central terrain, its relieving the volcanic between isthmus, of Columbus Tehualtepec, his penchant for the storm, its ambivalence ocean. Caribbean Antilles, detached continent surfer, insular home of the sun, a stronghold of Argonauts and banished.
biodynamics laboratory trial results and miscegenation, ethnicity fucked by the imposition of force or seduced by power. Formation of the Baroque pot of culture and race that populated the new with an idiosyncrasy without definition, and it may be that its main feature: the diligence of the inconclusive, speculative virtue indeterminate.
immemorial Native American culture, multiple and diverse as its geography, with their deep differences theurgic, with its irregular and divergent processes but animists and astrólatras consensual, giving all soul and become souls, synopsis of human nature in horizontal dialogue with impermanence. Of violence premoral of the Caribs to the spectacular metropolis Mexico-Tenochtitlan, the Tairona and Inca agricultural rituals, and Yanomami Taraumara of the Nazca indecipherable to apocalyptic Chilam Balam: Quetzalcoatl, Inty, Itza ...
The Iberian temperament ambiguous symbiosis of vices and virtues, gives timely commercial flex their faith in the stubborn defense of his hypothesis, as permeable to their interests, in the perverse logic of domination, cruelty justified by Papal Bulls and holy alliances, the taking of Ceuta to the Treaty of Tordesillas of genocide, plunder and appropriation of African and Amerigo. Passionate beings, warriors, conquerors, men of faith: in the name of the Father, the Son and the Holy Spirit ...
The exiled African vitality, arcane origin of living, ideas and gods, latent sentence in the preamble of the times, introduced in America under the skin of men and women subjected to brutal and violent treatment, but Persistent deities, erotic protected by the archetype of rhythm, the mimetic ability of the extension, the force proud devotion, humanity of their sexual Orixás, his mastery of the elements, the sweat of their liturgy continues: Shango, Nzambi, Damballah ...
Word / Delta, human flows destined to converge in a world of freedom, impelled by the ideas of autonomy and unity. However, inclined to the absurd, able to consecrate the tyrant and executioner, Juan Vicente Gómez, Rafael "Chapita" Trujillo, Machado, Batista, Figueiredo, Pinochet. But also to promote the epic and Utopia, bear men like Bolivar, San Martin, Morelos, O'Higgins, Duarte, Marti, Tiradentes. Paradoxical and contradictory, shifting its signifiers of the "Declaration of War to Death" in the basement of Homeland Security, dops, Dina. In Atahualpa libertarians screaming, Louverture, and Hidalgo Miranda and the complicity of Manuela Saenz and Luis Arismendi, censorship, torture, hiding, exile and disappearance under the eyes of the sentries sadistic power. Split into language and concepts, systems and speed, with room for the leader and the gunman, the politician and the thug, the hero and martyr.
But his ability to transmute also palatal, his alchemical fusion cuisine takes shape, inherited the arrogant English seasoning, the exorcised indecent sadness and sensuality Lusitanian native plant, shaken by the black arms of the slave quarters. Multisápida is discovered in the Venezuelan Hallaca in Cuba funny and ironic with his "Moros with Christians "sociological in Brazilian Feijoada, erotic in sancochos Caribbean, the Andean ceviche, the Mexican taco and spicy Creole; ritual PACHAMAMA land where the gods are maize, cassava arms and legs, eyes, passion fruit , languages, guava, tamarind and sex abacaxi crowns, and eating is a verb of lust and desire of communion and contrition, legacy "AB ORIGIN" condition of being. Superlative connotation of the senses, the need first synthesized in the organic expression of life, conceptualized by the work of leisure and excess, promoters of analog capability, standardizing all forms of Orexia, leisure and penance, consumer and hardship. Transubtanciación sweat blood, pain in glory, lust in gluttony. Word mark
continental hyped by morphology in heterogeneous virtue, sacraments by all the gods and demons, by all modes of faith and heresy, delight biological perpetuation, disturbing consciousness of mortality, bathed in sensuality atabaque rhythmic, Touch by respiration of the accordion, providing the relationship of bodies to a dance pubic shaping the fertility ritual of the new genotype, gene breeder friction that summarizes the biological history of mankind, an amalgam of energy and sweat, between sadness and Volupia, tesa and saudade, currency Chica Da Silva and Malinche, ink Ruben Dario, fingerboard penalty Snowball, tongue of fire in Santos and Daniel Nelson Gonçalves, sustained chord Elis Regina and Tona "La Negra" futile hope chest of the damned, lying lips tattooed on cowards.
Word that begets itself imploded and fragments restituyedose resemantizing by the voices of a street, kids, man, and Gurises Pivet. Language impossible to tame with orthodox grammatical forms, children who keep their smiles and looks the wild spirit of the Caribbean, cosmic intuition of the Maya, the secret stoic Moai and the revenge of Zumbi. Produced in every sentence a novelty, rich in meaning drawn from within their experiences, unpredictable and musical rhetoric, onomatopoeia derived from the law of affinities: the goal, the pain in the ass, the refusal, the bullet bang bang. The batuque to grant relief from the misery left by esclavocrata culture, the violence and ignorance Geneci. Or do moleque song Ere by the maternal protection of Iemaiá, claiming freedom stolen by the history of nonsense being held hostage by the apathy and neglect, police and thief jumping on the corners of the city, claiming the tax fear resentment, giving ginga rancor, with the consciousness of being the absolute masters of the time.
Its exact form is music, its pulse marked by the key slides from the passionate verses Agustín Lara, Rafael Hernandez and Noel Rosas effervescent beats of "Hard Hang" Niurriqueño Ray Barreto and batucada Olodum Bahia, of the urban chronicles of Chico Buarque and Ruben Blades the accordion torn Astor Piazzola and nervous fingers Eddie Palmieri, the compliment of the samba or vallenato waists in the Andalusian heritage and Joropo Jarabe Tapatio, the paradox of salsa as excellent cultural integration of the Americas - a blend of Afro-Latin rhythms and instruments, sewing Fire the need for resuscitation of Hispanic immigrants in New York, Mexican rancheras main character on the radio Andean Venezuela to Peru, the pachuco Café Tacuba to tango synthesized by Fito Páez, as loirinha "Bom Brill" two Paralamas Manguebeat do Sucesso eo Chico Science e Nação Zumbi sua, continuous flight of Julio Bocca, Antonio Nobrega, Denisse Stoklos and Carlos Orta. Abstract word in its musical identity and reconstructs forks - Ravel as leitmotiv and a Charanga Danzon, a viola Caipira academizada by Villalobos, and Bossanova, a more elegant daughter of the samba, bringing his piano to morro da Mangueira -. So between the jukebox and despair, malice and morbidity, including a tango, a choir and a bolero, a pagoda, a rumba and a guaguanco, the word is singing and the body bar, for re-word on Nicolas Guillen and Mario de Andrade. Tibiri-Tabara, chechecule língua nova and Brown.
POST HOC
I started on 'The Delphic Course "Lezama through the generosity of William Abdala, since I'm behind that word as a mystic who seeks the forgotten name of God. I have seen in Narvaez stones on the meditations chromatic Paulo Pasta, in the light hidden in the shadows of Mariano Esquivel, in the reflection of mirrors, Carlos Fuentes, in the epic Uslar Pietri, Asturias and Guillermo Morón, in the stories of Joseph Balza, Cortazar and Nelson Rodriguez, in the voices of Benny Moré, Hector Lavoe, Ismael Rivera and Tom Zé, in a sudden, the mariachis, the prairie, and many American sounds and instruments.
and more that seems to unveil her secret to discover its mysteries, its ability to astonish us lycanthropic transformed into a new rhythm, a new choreography, more sensual scents and sweeping in unprecedented and exciting textures, in the words inaccurate etymologies which meanders through our eyes in the form of poetry to marvel again with his arcane novelty, its eternal promise of tomorrow, its rugged beauty.
PROPTEC HOC ERGO
Despite knowing how subjective are lists and how the adjectives pedantic and obnoxious and annoying it can still be anaphoric reading exercises and metonymic, and yet the issue has incurred caricature and stereotype, I hope to have escaped the cliché of "pursuit of Latin American identity." I justified the Baroque style by the trope, the shameless pleasure by observation, but especially the writer's despretensión from reading.
Torkins Delgado
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